Summer Intensive Courses and Evening Classes

Summer Intensive Courses & Evening Classes

Dear Writers,

In The Waste Land, Eliot said that April was the cruellest month, and it certainly wasn’t the warmest and jolliest one on record here in Berlin. But today May has begun, and with it we’re proud to finally be able to announce our programme of Summer Intensive Courses. We’ve secured the venue and the tutors, finalised the dates and the guest authors…and it’s looking like you wouldn’t believe.

First up, we’ve Kimberly Bradley (The New York Times, The Sunday Times, Vogue, Wallpaper, Conde Nast Traveller, Monocle…) and Rory Maclean. Yes, that’s right, best-selling travel author Rory Maclean, the man who’s met Aung San Suu Kyi, taken a piss with Bowie, and written 8 published books. They’ll be leading the Travel Writing/Memoir Workshop (July 1st-5th), which will soon be followed by Faber author Clare Wigfall (THE LOUDEST SOUND AND NOTHING) and Tod Wodicka’s (ALL SHALL BE WELL; AND ALL SHALL BE WELL; AND ALL MANNER OF THINGS SHALL BE WELL – Jonathan Cape/Vintage, UK) workshop Writing Outside the Box: Exploiting your Imagination to Create Fiction (July 15th-19th). Then from August 12th-16th, Donna Sharpe (BBC, ITV Studios, ZTF) and CJ Hopkins (Bloomsbury Publishing, Broadway Play Publishing) will be running The Reader Berlin’s Screenwriting Lab: 2013, and bringing their collective experience of writing for stage and screen to you in Berlin’s Alte Kantine.

And I haven’t even started talking about the workshops, and the one-to-ones, and the evening events, and guests authors Greg Baxter and Julian Gough. Get a place now, before everyone else finds out. Places are limited and you wouldn’t want to be beaten to it by some bargain hunting Londoner, now would you?

Finally, alongside the intensive courses, a full programme of evening workshops will begin in June. Poetry, Creative Writing and Script & Screenwriting Workshops will be back, and we’re delighted to announce a new course, English Through Literature, which will be led by English teacher and hopeless bookworm Crawford McCubbin. Read all about them here: http://thereaderberlin.com/?page_id=500

Now, it’s May the 1st and in Berlin there’s still rioting to be done, so we’ll wish you goodnight, adieu and see you soon!

Best wishes,

The Reader Berlin

 

 

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Second Script/Screenwriting Workshop to open 18th April

Owing to the popularity of CJ Hopkins’ Tuesday night workshop we’re opening a second. For more information or to sign up, email hello@thereaderberlin.com.

SCRIPTWRITING WORKSHOP WITH CJ HOPKINS

When: Thursday Evenings from 6:30pm, beginning April 18th

Where: CJ’s office on Kottbusser Damm (Schönleinstr. U8)

Course Length: 7 weeks

Cost: €100 – 10 euro discount for continuing writers

Maximum Participants: 10

Description: The Reader Berlin is pleased to announce its Spring Scriptwriting Workshop with internationally acclaimed, award-winning playwright CJ Hopkins, beginning Thursday 18th April. Participating writers meet weekly, submitting excerpts of stageplays and/or screenplays on a rotating schedule and receiving constructive feedback and individual mentoring in an informal, supportive and professional setting. The workshops are focussed on developing and strengthening the individual writer’s voice and craft and are thus appropriate for writers at every level of experience, from beginners to professionals.

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10 Minute Play Competition – An Open Letter

When you enter a writing competition, there are a few things that should be a given: all the work submitted will be read, the judges won’t award the prizes to their family members, that some idea relating to quality – however you define it – will inform the judges’ decision.

Writers take the time and trouble to enter because they hope to win and in winning, alongside whatever tangible rewards are offered, their work will find an audience, that it will be given a hearing. Competitions are often stepping stones to career success. While the organisers benefit from – among things – the PR involved, the competition offers a leg up to the aspiring artist. At least that’s how I have always understood it, which was why when I was approached by Maxwell Flaum, co-founder of Shakespeare im Park Berlin and one of the curators of this year’s English Theatre Berlin 10 Minute Play competition, I agreed to promote it, ask my contacts to promote it, and speak to the writers I knew encouraging them to enter.

I would like to apologise for that.

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2013 Writing Courses to begin in February!

And it’s time to sign up again. In 2013, The Reader is thrilled to be welcoming Donna Stonecipher to the team, and frankly envious of anyone who gets to spend an evening a week talking about poetry with like-minded enthusiasts. If you would like to take part in any of the winter/spring courses, or have any questions, just send an email to hello@thereaderberlin.com with a few lines telling us which course you are interested in – and in the case of Victoria’s courses, which night – along with a little information about your writing background. Below you’ll find all the vital information and some some FAQs at the bottom. Returning students are as welcome as ever, and in the case of the Creative Writing courses get a 10 euro discount…

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Winter Newsletter & Christmas Party

Ah, the vile time of year is upon us! Will we survive another ten rounds with Berlin winter? Perhaps…clutching James Thomson’s CITY OF DREADFUL NIGHT and with our Creative Writing and Script Writing students to inspire and comfort us. And at least you can stay in read and scribble with less guilt then when the sun is pouring through your windows…

New courses will begin in 2013, so watch out for the email inviting you to sign up. In the meantime, we’re very much looking forward to the Five Dials event at The Wye on December 3rd, a launch evening for the latest edition of the Penguin-produced journal which will be co-hosted by Dialogue Books. Then there’s the English Theatre Berlin’s 10 minute play competition (closing date 26th November – so you can still just make it). SAND are holding a translation competition and welcoming submissions for their next edition until December 15th. Between the 4th and the 9th December, Hotel Methusaleh, a highly acclaimed touring production from the UK will be having its German premiere at the ELT….

Oh, and on Tuesday 18th December The Reader Berlin will be hosting a Christmas party from 9pm at S.I.N. Bar at Schönleinstr. 6 (just opposite Dialogue Books, where you SHOULD be doing all your Christmas shopping). Come along to say hello, meet Victoria and CJ who run the writing groups, ask questions about the courses and events, meet like minded people and WIN one of two 6-month subscriptions to the London Review of Books. They may also be mince pies. If we don’t burn them. Or eat them all first.

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Autumn-Winter Newsletter: New Writing Groups

Welcome to The Reader Berlin’s Autumn/Winter Newsletter!

This month, we’ve been harassing writers to enter the English Theatre Berlin’s 10 Minute Play Competition (you can read interview with curator Maxwell Flaum here: http://thereaderberlin.com/?p=383), hosted a drop-in evening, thought about starting a new novel, and been up to our necks in editing.

The September creative writing groups are now drawing to a close, and we’re now inviting sign ups for the new groups that will start in the second week of November and run for 7 weeks, finishing the week before Christmas.

Creative writing classes will definitely be held on Tuesday and Wednesday evenings, and possibly on Thursdays too (so that’s a start date of 6th/7th/8th November). If you are interested in taking part, please email hello@thereaderberlin.com and state which evenings you could in theory attend (continued-)…

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The Reader Interview: Maxwell Flaum, Curator of English Theatre Berlin’s Ten Minute Play Competition

The deadline is now November 26th, which gives you plenty of time to come up with something spectacular. The Reader Berlin caught up with Maxwell Flaum, co-founder of Shakespeare in Park Berlin and curator of this year’s ETB’s 10 minute play competition, to find out what he’s looking for, how this year is different and why you should definitely write him something.

Taking in a baseball, shitbags and going toe-to-toe with Macduff WWF style on the U-bahn, Herr Flaum talks a good game, now he wants you to write one. Consider yourself challenged.

Q. What’s the theme of the competition this year?

A. The theme is Berlin Was Yesterday: Ex-Patriot Traffic from the Kaiser to Kotti. The title is, of course, exaggerated for effect. It seems like a very grand title with some alliteration and a bit of cynicism thrown in. Originally the theme was going to be about the ex-patriot experience in general. People could write about anything, Berlin or anywhere else. I wanted to specify, in the interest of focusing things a bit that we are hoping to showcase a set of performances that are somehow linked to the very singular development this city has gone through.

I’ve been here eight years and the place has changed drastically, and I’m not sure for the best. At the same time I’d really like to eschew the tiresome gentrification issue. I think it’s fine if one piece is about that, but I’d also like to get a taste of an older Berlin, to hear from voices that have been here 20-30-40 years, etc. Ideally, on the night we’ll see pieces that survey that development – a city’s evolution through the eyes of foreign reporters who have made it their home. Also, I want to be clear that I don’t find ex- patriotism romantic in the least -that “Lost Generation” romance that’s so easy to get bogged down in. I don’t think being an ex-patriot these days means all that much. Some people might argue that it’s easier to be an artist here for various reasons, however you can argue Berlin has become almost programmed for that experience.

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Drop In Evening – Wednesday October 3rd

Calling all writers!

Sophie and Victoria will once again be holding a drop in evening at Another Country on Wednesday October 3rd from 8:30pm (following the Wednesday night group).

If you´d like to come and share your work, talk about your practice, ask questions about forthcoming writing groups, or just have a chat with whoever is around, we´d love to see you.

Bis Dann,

Sophie & Victoria

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Script & Screen Writing with CJ Hopkins

Just to let you know that The Reader is still taking registrations for the upcoming script and screen writing workshop with award-winning playwright CJ Hopkins.

The course will run for two hours on Tuesday nights over 9 weeks and cost 115 euros. During that time you’ll  regularly submit work for critiquing and discuss the craft in all its aspects. Expect a lively, encouraging environment and some great anecdotes.

Beginning this autumn in Kreuzberg!

To put your name down, please email hello@thereaderberlin.com

 

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UPDATE: Drop In Evening has moved to the 29th August

Hello,

Just to let you know that owing to the unforseen, we’ve had to move the drop in evening to the 29th August. Same time (7pm), same place (Another Country), same modus operandi.

Till then,

Victoria & Sophie

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